Frederick Delius: Works: Orchestral

Updated: Jul 7, 1996

Orchestral:

  1. 2 Pieces ($BFs$D$N>.IJ(B)
    RT
    compose
    1887 - 1888
    first performance
    memo
    1. Schlittenfahrt ($B$=$j>h$j(B)
    2. March caprice ($B%^%k%7%e!&%+%W%j!<%9(B)
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$G$O(B, 2$B6J$N=gHV$,5U(B, $B%?%$%H%k$O!X4qA[9T?J6J!Y!JJ)!K!X$=$j$9$Y$j!Y!JFH!K$H$J$C$F$$$k!#:n6J$O(B 1888$BG/(B, $B=i1i$O(B 1946$BG/%&%'%9%H%_%s%9%?! 1889$BG/(B5$B7n$KCe.IJ(B (Suite de 3 Morceaux Caractéristiques pour orchestra) $B!Y(B (RT VI/6(a)) $B$NBh(B3$B6J(B Marche Caprice, 1990$BG/$N!X;0$D$N>.2;;m(B (3 Small Tone Poems) $B!Y(B(RT IX/7) $B$NBh(B 2 $B6J(B Sleigh Ride (Winter Night [from Schlittenfahrt] ) $B$r$"$o$;$?$b$N!#(B

  2. 2 Pieces for Small Orchestra ($B>.4I893Z$N$?$a$NFs$D$N>.IJ(B)
    RT
    RT 06/19
    compose
    1911 - 1912
    first performance
    Oct 23, 1913, Arthur Nikish, Leipzig, Gewandhaus
    memo
    1. On Hearing the First Cuckoo in Spring $B!X=U=i$a$F$N%+%C%3(B¯$B‘(BB$rD0$$$F!Y (RT VI/19)
    2. Summer Night on the River $B!X2O$N>e$N2F$NLk!Y(B (RT VI/19)
    1911$BG/!X2O$N>e$N2F$NLk!Y:n6J(B
    1912$BG/!X=U=i$a$F$N%+%C%3(B¯$B‘(BB$rD0$$$F!Y:n6J
    $B;01:=_;K$N%i%$%J!e(B Ph-30CD-3015$B$h$j!#(B
    $B=U=i$a$F$N%+%C%3!<$rD0$$$F!Y$OKL9q$N=U$NK,$l$rIA$$$?0lI}$NL>2h!#:n6J@<$r9b$a$?>.7f:n!#6J$O#2$D$Ne$2$i$l$F$$$k!#%G%#!<%j%"%9$O%i%$%W%D%#%R$G%0%j!<%0$HCN$j9g$$(B, $B=*@8?F8r$r7k$s$@!#%+%C%3%&$N@6J!#0J>e(B Te-25CT-3$B$h$j!#(B
    $B2;3ZG7M'6J2r@bA4=8!Y!J;01:=_;K2r@b!K$K$h$l$P(B, $B%i%$%W%D%#%R=i1i$N%Q!<%=%M%k$OITL@(B (Carley$B=q4J=8$G$O=i1i$r?6$C$?$N$O%K%-%7%e(B)$B!#%i%$%W%D%#%R0J30$G$O(B, 1914$BG/(B1$B7n(B20$BF|(B, $B%m%s%I%s$N%U%#%k%O!<%b%K%C%/!&%3%s%5!<%H$,%$%.%j%9=i1i!#;X4x$O%t%#%l%`!&%a%s%2%k%Y%k%/(B (Wilem Mengelberg 1871$B!A(B1951$BG/(B) $B!#%9%3%"$K$O%P%k%U%)%"!&%,!<%G%#%J!<(B (Balfour Gardiner 1877$B!A(B1950) $B$X$N8%<-$,$"$k!#=i1i$rD0$$$?%G%#!<%j%"%9$N%$%'%k%+$X$N!V%S%e!<%F%#%U%k$J1iAU!W!V(B 1 $B6JL\$N%K%-%7%e$N%F%s%]$O$$$/$V$sCY$9$.$k(B--$BD0=0$O(B 1 $B6JL\$NJ}$r9%$s$@$h$&$@$,(B, $B$o$?$7<+?H$O(B 2 $B6JL\$NJ}$,2B$$!W!#(B 1914$BG/(B3$B7n(B3$BF|(B, Fritz Stein $B$,(B Cologne $B$G:F1i!#(B 1914$BG/(B3$B7n(B10$BF|(B, Charles Kennedy Scott $B$N;X4x(B, Thorpe Bates $B$NFH>'$G(B, Oriana Madrigal Society $B$K$F(B On Hearing the First Cuckoo in Spring $B$r:F1i!#(B1914$BG/(B4$B7n(B16$BF|$N(B Torquay Festival $B$G(B On Hearing the First Cuckoo in Spring $B$,:F1i$5$l$k!#(B 1914$BG/(B6$B7n(B8$BF|(B, $B%S!<%A%c%`$N;X4x$9$k(B all-Delius Concert $B$G(B, Duke's Hall, Royal Academy of Music $B$G(B On Hearing the First Cuckoo in Spring $B$,:F1i!#(B 1915$BG/(B11$B7n(B28$BF|(B, $B%K%e!<%h!<%/!&%7%s%U%)%K!<6(2q$N%3%s%5!<%H(B, $B%(%*%j%"%s!&%[!<%k$G%"%a%j%+=i1i!#(B Geoffrey Toye $B$N;X4x(B, LSO$B$NO?2;$"$j(B (1.) $B!#(B Geoffrey Toye $B$N;X4x(B, New Symphony Orch $B$NO?2;$"$j(B (2.) $B!#(B 1928$BG/(B1$B7n(B12$BF|!A(B30$BF|$N%"%a%j%+!&%D%"!<$G%S!<%A%c%`$,:F1i!#%K%e!<%h!<%/(B, $B%\%9%H%s(B, $B%\%k%A%b%"(B (1.) $B!#(B1929$BG/(B2$B7n(B8$BF|(B, $B%S!<%A%c%`;X4x$N%i%8%*J|Aw(B (1.2.) $B!#(B 1933$BG/(B, $B%a%K%e!<%$%s$rO"$l$F9T$C$?%h!<%m%C%Q!&%D%"!<$G%(%k%,!<$O(B 1. $B$r?6$C$?$+!#(B

  3. 3 Pieces for string orchestra ($B893Z9gAU$N$?$a$N#3$D$N>.IJ(B)
    RT
    RT 06/04
    compose
    1888
    first performance
    memo

  4. 3 Small Tone Poems ($B;0$D$N>.2;;m(B)
    RT
    RT 06/07
    compose
    1890
    first performance
    Jan 2, 1949, Summer Evening, RPO, cond. Beecham, London
    memo
    1. Summer Evening ($B2F$NM<$Y(B)
    2. Winter Night [from Schlittenfahrt] ($BE_$NLk!J$=$j>h$j!K(B)
    3. Spring Morning ($B=U$ND+(B)
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K5-:\$J$7!#(B 2. $B$O%i%$%W%D%#%R;~Be$N%T%"%N6J!X%N!<%k%&%'%$$N$=$j>h$j(B (Norwegian Sleigh Ride) $B!Y$r%*!<%1%9%H%l%$%7%g%s$7$?$b$N!#(B

  5. Air and Dance ($B%(%"!<$H%@%s%9(B)
    RT
    RT 06/21
    compose
    1915
    first performance
    1915, cond. Beecham, London
    memo
    str.
    $B893Z$N$?$a$N!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B:n6J$O(B 1925$BG/!#=i1i$O(B 1929$BG/!#%?%$%H%k$O!X2N$HMY$j!Y$H$"$k!#(B National Institute for the Blind $B$K8%Dh!#(B

  6. Appalachia, American Rhapsody for orchestra ($B%"%a%j%+68;m6J%"%Q%i%A%"(B)
    RT
    RT 06/12
    compose
    1896
    first performance
    Sep 8, 1909, LSO, cond. Delius, Shire Hall, Hereford, 3 Choirs Festival
    memo
    $B8eG/$N9g>'%t%!!<%8%g%s$O(B, $B$O$8$a4I893Z6J$H$7$F9=A[$5$l$?!#6aG/(B (1988$BG/:"$NOC(B) $B%9%1%C%A!&%7!<%H$,$$$/$D$+H/8+$5$l$?$,(B, Nigger Rhapsody, A Southern Night $B$J$I$N%?%$%H%k$,$D$1$i$l$F$$$k!#(B (Carley$B=q4J=8(B)

  7. Brigg Fair ($B%$%s%0%i%s%I68;m6J!X%V%j%C%0$N;T!Y(B)
    RT
    RT 06/16
    compose
    1907
    first performance
    1907, cond. Hermann Suter, Basel
    memo
    An English Rhapsodhy
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B%?%$%H%k$O!V%$%.%j%968;m6J!X%V%j%C%0$NDj4|;T!Y!W!#=i1iCO$O%P!<%<%k!#FbMF$O!V%V%j%C%0$GJ9$$$?%j%s%+!<%s%7%c!<$NL1MX$K$h$j:n6J!#(B P. $B%0%l%$%s%8%c!<$K8%Dh!W!#(B
    $B2;3ZG7M'6J2r@bA4=8!Y!J;01:=_;K2r@b!K$K$h$l$P=i1i$N;X4x 1906$BG/(B Forsyth $B$+$i=PHG$5$l$?(B Grainger $B$N(B Unto Brigg Fair $B$NJT6J(B ($BL5H'$N$?$a$N(B) $B$K%$%s%9%Q%$%"$5$l$F(B 1907$BG/:n6J!#(B 1908$BG/(B1$B7n(B11$BF|(B, Granville Bantock $B$,(B Philharmonic Hall, Liverpool $B$G(B Beecham $B$H$H$b$K:F1i!#$3$l$,%$%.%j%9=i1i$+!)(B
    1908$BG/(B3$B7n(B6$BF|(B, Hans Richter $B$,(B Bradford $B$G:F1i!#(B 1910$BG/(B5$B7n(B28$BF|(B, $B%A%e!<%j%R$G3+:E$5$l$?Bh(B 47 $B2s(B Allgemeine Deutsche Musikverein ($BA4%I%$%D2;3Z6(2q(B) $B$N%3%s%5!<%H$G(B, The Grosser Tonhallesaal $B$G:F1i!#$3$N;~(B, $BF1;~$K%3%@!<%$$N893Z;M=EAU6J:nIJ(B 1, $B%P%k%H!<%/$N68;m6J:nIJ(B 1$B$N%3%s%A%'%k%H7A<0HG(B ($BFHAU%Q!<%H$O%P%k%H!<%/<+?H(B) $B$b1iAU$5$l$?!#<+:n$rD0$-$KMh$F$$$?(B 2 $B?M$O0J8e%G%#!<%j%"%9$H?F8r$r7k$V!#(B 1910$BG/(B10$B7n(B(?), Ludwig Rottenberg $B$N;X4x$G(B Frankfurt $B$G:F1i!#$3$l$r(B, Roger Quilter $B$,D0$$$FBg$$$K5$$KF~$k!#(B 1911$BG/(B1$B7n(B10$BF|(B, Fritz Steinbach $B$N;X4x(B, Cologne $B$G:F1i!#(B1911$BG/%K%-%7%e(B (Nikisch) $B$N;X4x$G(B, Berlin$B$G:F1i!#(B
    1911$BG/(B2$B7n(B15$BF|(B, István Kerner $B$,%O%s%,%j!!V6CC2$9$Y$-AG@2$i$7$$%F%/%9%A%e%"$N?':L(B, $BL1OC$NKbK!$N$h$&$J%H!<%s$O(B, $B$=$l$rD0$/$b$N$KBg$-$J0u>]$rM?$($k!W!#(B 1911$BG/(B11$B7n(B24$BF|(B, Coblenz$B$G:F1i!#$3$l$r(B Philip Haseltine $B$,D0$$$F$?(B "it is absolutely marvellous!"$B!#(B 1912$BG/(B12$B7n(B16$BF|(B, $B%S!<%A%c%`$N%Y%k%j%s!&%G%S%e!<$G:F1i!#$3$N;~$N1iL\$OB>$K!X%@%s%9!&%i%W%=%G%#!

  8. Caprice and Elegy ($B%+%W%j!<%9$H%(%l%8!<(B)
    RT
    RT 07/08
    compose
    1930
    first performance
    memo
    vc orch
    $B%A%'%m$H4I893Z$N$?$a$N!#(B
    Beatrice Harrison $B$K8%Dh!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B%?%$%H%k$O!X4qA[6J$HHa2N!Y!#!V:n6J

  9. Cello concerto ($B%A%'%m6(AU6J(B)
    RT
    RT 07/07
    compose
    1921
    first performance
    Jan 31, 1923, Alexandre Barjansky, Ferdinand Löwe, Frankfurt
    memo
    $B%$%.%j%9=i1i$O(B, 1923$BG/(B7$B7n(B3$BF|(B, Beatrice Harrison $B$N%=%m(B, Eugene Goossens $B$N;X4x(B, $B%m%s%I%s!#(B 1925$BG/(B1$B7n(B18$BF|(B, Beatrice Harrison $B$N%=%m(B, Adrian Boult $B$N;X4x$G(B, Birmingham $B$G:F1i!#(B 1925$BG/=)(B, Alexandre Barjansky, Wiesbaden $B$G:F1i!#;X4x$O(B Schuricht $B$+!#(B 1925$BG/(B12$B7n(B29$BF|(B, Herman Sandby $B$N%=%m(B, Grainger $B$N;X4x$G(B, $B%K%e!<%h!<%/$N(B Aeolian Hall $B$G:F1i!#(B 1926$BG/(B, Alexandre Barjansky, Wiesbaden $B$G:F1i!#(B1927$BG/(B11$B7n(B23$BF|(B, 25$BF|(B, Beatrice Harrison $B$N%=%m(B, Willem Mengelberg $B$N;X4x$G%+!<%M%.! $B%l%s%H!=!=%3%s!&%b!<%H!&%H%i%s%/%#%m!=!=%l%s%H!=!=%3%s!&%b!<%H!&%H%i%s%/%#%m!=!=%"%l%0%i%a%s%F!#C10l3Z>O7A<0!#;01:=_;K$N%i%$%J!O$r$-$l$a$J$/1iAU$9$k$h$&=q$$$F$$$k!#5Y;_$b(B, $B%+%G%s%D%!$b$J$$%A%'%m$H4I893Z$N$?$a$N%$%G%#%k!JED1`6J!K$H8F$s$@$[$&$,$h$$$+$bCN$l$J$$!#:G=i$N!c%3%s!&%b!<%H!&%H%i%s%/%#%m!d$GFHAU%A%'%m$,2N$&@{N'$K$7$F$b$K$h$C$F$N$_1iAU2DG=$J%A%'%m$NFHAU%Q!<%H$r=|$$$F$O6(AU6J$N=qK!$K=>$o$:(B, $B$`$7$m8r6A;m$r;W$o$;$k$b$N$,$"$k!#%G%#!<%j%"%9$OD9$$@{N'$K$h$C$FY3>pE*$J2;3Z$N@~$rE83+$5$;$k0U?^$r$$$@$$$F$$$?$H$$$&!#H`<+?H$O<+:n$NB>$N6(AU6J$h$j$b%A%'%m6(AU6J$r0&$7$F$$$?$,(B, $B$=$NM}M3$O!X@{N'>p$NAO0U!Y$K$"$C$?$H$$$o$l$k!#6J$O%i%W%=%G%#%C%/$JL4A[$r$?$?$($D$D%G%#!<%j%"%9$N0&$7$?F|KW$XD@$s$G$f$/!#!W0J>e(BEMI-To-CE33-5172$B$h$j!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B:n6J(B, $B=i1iG/$O%0%m%&%V$K=>$&!#(B

  10. Dance Rhapsodhy No.1 ($B%@%s%9!&%i%W%=%G%#!
    RT
    RT 06/18
    compose
    1908, spring
    first performance
    Sep 8, 1909, LSO, cond. Delius, Shire Hall, Hereford, 3 Choirs Festival
    memo
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B=i1i$O%X%"%U%)!<%H2;3Z:W!#(B
    2 $BBf$N%T%"%N$N$?$a$NJT6J$O(B 1922 $BG/(B, Grainger $B$N 1911$BG/(B6$B7n(B16$BF|(B, $B%S!<%A%c%`$K!X%V%j%C%0$N;T(B (Brigg Fair) $B!Y!#(B1912$BG/(B12$B7n(B21$BF|$K$O!X%Q%j(B (Paris: The Song of a Great City) $B!Y$H!X3Z1`$X$NF;(B (The Walk to the Paradise Garden) $B!Y!#%T%"%NJT6J$O(B Philip Haseltine $B!#(B 1914$BG/(B2$B7n(B14$BF|(B, Henry Wood $B$N;X4x$G:F1i!#$3$l$r(B Balfour Gardiner, Philip Haseltine $B$,D0$$$F$$$?!#(B 1914$BG/(B4$B7n(B16$BF|$N(B Torquay Festival $B$G:F1i$5$l$k!#(B 1914$BG/(B, Queen's Hall$B$G$3$N6J$rD0$$$?$N$,(B, $B%P%k%S%m!<%j$N%G%#!<%j%"%9=iBN83(B ($B:#$^$GD0$$$?Cf$G$b$C$H$bH~$7$$2;3Z(B) $B!#(B 1915$BG/(B11$B7n(B5$BF|(B, Grainger $B$N;X4x$G%_%M%"%]%j%9$G%"%a%j%+=i1i!#(B 1918$BG/(B9$B7n(B, $B%W%m%`%J!<%I!&%3%s%5!<%H$G(B Henry Wood $B$,:F1i(B($BBh(B2$BHV!)(B)$B!#(B

  11. Dance Rhapsodhy No.2 ($B%@%s%9!&%i%W%=%G%#!
    RT
    RT 06/22
    compose
    1916
    first performance
    Oct 20, 1923, Henry Wood
    memo
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B%?%$%H%k$O!XIqF'68;m6J!Y(B
    Carley $B=q4J=8$K$h$l$P(B, 1916$BG/(B6$B7n=iF,$KCe

  12. Double concerto ($B%t%!%$%*%j%s$H%A%'%m$N$?$a$NFs=E6(AU6J(B)
    RT
    RT 07/05
    compose
    1915 - 1916
    first performance
    Feb 21, 1920, May and Beatrice Harrison, New Queen's Hall Orch, cond. Wood, Queen's Hall
    memo
    vln vlc orch
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B:n6J$O(B1915$BG/!#(B Carley $B=q4J=8$G$O(B 1915$BG/(B4$B7n!A!#%T%"%N!&%9%3%":n@.$O(B Philip Haseltine $B!#(B

  13. Draft orchestral piece ($B4I893Z6JAp9F(B)
    RT
    RT 10(ii)3
    compose
    Aug 1889
    first performance
    memo
    Aug. 1889, Leirungs Hytte, Jotunheim, Norge.
    $BL$40!#(B

  14. Eventyr (Once Upon a Time) ($B%(%t%'%s%F%#%(!<%k!J$`$+$7$`$+$7!K(B)
    RT
    RT 06/23
    compose
    1917
    first performance
    Jan 11, 1919, Queen's Hall Orch, cond. Wood, Queen's Hall
    memo
    ballad after Asbjørnsen
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B%?%$%H%k$O!X$*$H$.OC!J@N$"$k;~!K!Y!#%5%V!&%?%$%H%k$b8r6A;m(B (Tone-poem) $B!#(B
    Carley $B=q4J=8$K$h$l$P(B, 1915$BG/$K%9%1%C%A!#(B 1917$BG/=U$K40@.!#(B 1929$BG/(B2$B7n(B8$BF|(B, $B%S!<%A%c%`;X4x$N%i%8%*J|Aw!#(B 1933$BG/(B11$B7n(B22$BF|(B, Queen's Hall $B$G$N%S!<%A%c%`;X4x$N(B BBC $B%3%s%5!<%H$G:F1i!#F1;~$K%i%8%*J|Aw!#$3$N%3%s%5!<%H$G$O(B Boult $B$,(B Lebenstanz $B$r?6$j(B ($B[)$/(B, $B:#$^$G$G:GDc(B), $B%(%k%,!<$N%A%'%m6(AU6J$b1iAU$5$l$?!#%G%#!<%j%"%9<+?H$N%3%a%s%H$O;D$C$F$$$J$$$,(B, $B%$%'%k%+$O!VH~$7$$!W!#(B1934$BG/(B3$B7n(B1$BF|(B, $B%S!<%A%c%`$N(B All Delius $B%3%s%5!<%H$G(B, $B%^%s%A%'%9%?!<$G:F1i(B (Hallé orch)$B!#%i%8%*J|Aw!#(B

  15. Fantastic Dance ($B88A[Iq6J(B)
    RT
    RT 06/28
    compose
    1931
    first performance
    Jan 12, 1934, BBC SO, cond Adrian Boult, Queen's Hall
    memo
    Carley $B=q4J=8$K$h$l$P(B, 1924$BG/$K%9%1%C%A!)(B 1931$BG/$K40@.!#=PHG$O(B 1933$BG/(B (Boosey & Hawkes)$B!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K5-:\$J$7!#(B

  16. Flolida suite ($B%U%m%j%@AH6J(B)
    RT
    RT 06/01
    compose
    1886 - 1887
    first performance
    1888, Leipzig
    memo
    $B%i%$%W%D%#%R;~Be$N:nIJ!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B:n6J$O(B 1886 - 1887 $BG/!#2~D{HG(B 1889 $BG/!#=i1i$O(B 1937 $BG/%m%s%I%s!#(B4$B6J!#(B
    $BFbMF$O(B
    1. Daybreak--Dance
    2. By the River
    3. Sunset--Near the Plantation
    4. At Night
    $B=i1i$O(B 1888 $BG/=iF,!#(B Rosenthal Park, Bonorand's restraurant $B$+!#(B $B;X4x$O(B Hans Sitt $B!#D0=0$O:n6J 1889$BG/(B, $B#2$D$N>O$r2~:n!#(B

  17. Hiawatha ($B2;;m!X%O%$%"%o%5!Y(B)
    RT
    RT 06/02
    compose
    1887 - 1888
    first performance
    memo
    tone poem
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, H. $B%m%s%0%U%'%m!<$N;m$K$h$k!#(B
    $B%i%$%W%D%#%R;~Be$N:nIJ!#(B
    $B:n6J(B 1887$BG/(B-$B!#40@.(B 1888$BG/(B1$B7n!#%9%3%"$O;60o$7$?(B (Carley$B=q4J=8(B) $B!#(B

  18. Idylle de Printemps ($B=U$N;m6J(B)
    RT
    RT 06/05
    compose
    1889
    first performance
    memo
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K5-:\$J$7!#(B

  19. In a Summer Garden ($B68;m6J!X2F$NDm1`$K$F!Y(B)
    RT
    RT 06/17
    compose
    1908, spring
    first performance
    Dec 11, 1909, Philharmonic Society of London, cond. Delius, Queen's Hall
    memo
    rhapsodhy
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B%5%V$O88A[6J!#=i1i$O(B 1908 $BG/%m%s%I%s!#!V:n6J $B2;3ZG7M'6J2r@bA4=8!Y!J;01:=_;K2r@b!K$K$h$l$P(B, $B!V=i1i8e2?2s$b:YIt$Ke$,$C$?!#!W=i9;$N=i1i$O(B 1908$BG/(B12$B7n(B11$BF|!#7hDj9F$N=i1i$O(B 1913$BG/(B, $B%(%G%#%s%P%i(B, $B%9%3%F%#%C%7%e!&%*!<%1%9%H%i$N8x1i(B, $B;X4x$O%(%_!<%k!&%`%j%J%k%9%-(B (Emil Mlynarski 1870 - 1935) $B!#(B 1913$BG/(B6$B7n(B, Fritz Stein $B$N;X4x$G(B Jena $B$G:F1i!#(B 1913$BG/(B6$B7n(B4$BF|(B-8$BF|(B, Jena $B$G3+:E$5$l$?(B, Tonkünstlerfest of the Allgemeine Deutsch Musikverein $B$K$F!#%m%s%I%s=i1i$O(B, 1914$BG/(B3$B7n(B27$BF|(B, Geoffrey Toye $B$N;X4x(B, Queen's Hall Orch $B$N1iAU!#$3$N;~$NHG$O$9$G$K2~D{HG!#(B 1914$BG/(B6$B7n(B8$BF|(B, $B%S!<%A%c%`$N;X4x$9$k(B all-Delius Concer t$B$G(B, Duke's Hall, Royal Academy of Music $B$G:F1i!#(B1918$BG/(B1$B7n(B11$BF|(B, Josef Stransky $B$,%U%#%k%O!<%b%K%/6(2q$N%3%s%5!<%H$G%K%e!<%h!<%/$G:F1i!#(B 1926$BG/(B1$B7n(B, $B%S!<%A%c%`$,:F1i!#(B Geoffrey Toye $B$N;X4x(B, LSO $B$NO?2;$"$j!#(B

  20. Irmelin Prelude ($B%$%k%a%j%sA0AU6J(B)
    RT
    RT 06/27
    compose
    1931
    first performance
    memo
    Carley $B=q4J=8$K$h$l$P(B, 1931$BG/=)$K40@.!#(B
    $B;01:=_;K$N%i%$%J!.4I893ZJT@.$N$?$a$NH~$7$$Y3>p;m$H$J$C$F$$$k!#0J>e(B Te-25CT-3 $B$h$j!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B:n6J$O(B 1932$BG/!#!VF1L>$N2N7`!X%$%k%a%j%s(B (Irmelin) $B!Y$NA0AU6J$N2~D{HG!W!#(B

  21. A l'Aurore ($B=l8w(B)
    RT
    RT 06/08
    compose
    1890?
    first performance
    memo
    $B4I893Z6JCGJR!#(B

  22. Lebenstanz ($B@8L?$NMY$j(B)
    RT
    RT 06/15
    compose
    1901
    first performance
    Jan 21, 1904, cond. Buths, Düsseldolf
    1912$BG/(B11$B7n(B15$BF|2~D{HG(B, cond. Oskar Fried, Berlin, Philharmonie
    memo
    symphonic poem
    1901 $BG/(B Life's Dance $B$H$7$F40@.!#(B($B866J$O(B La ronde se déroule)
    1912 $BG/2~D{!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K5-:\$J$7!#(B
    1904$BG/(B11$B7n(B24$BF|(B, Haym, Elberfeld $B$G%T%"%N6(AU6J(B (Piano Concerto), $B!X%Q%j(B (Paris: The Song of a Great City) $B!Y$H$H$b$K:F1i!#(B 1908$BG/(B1$B7n(B19$BF|(B Enrique Fernández Arbós $B$,(B LSO $B$r?6$C$F(BAlbert Hall, London $B$G:F1i!#(B 1913$BG/(B2$B7n(B25$BF|(B, Balfour Gardiner $B$,(B NewSymphonyOrch $B$r?6$C$F2~D{HG$N%$%.%j%9=i1i!#(B 1913$BG/(B11$B7n(B7$BF|(B, Frederick Stock $B;X4x$N(B CSO $B$,2~D{HG$N%"%a%j%+=i1i!#(B 1915$BG/(B4$B7n(B9$BF|(B, $B%7%+%4$G(B Frederick Stock $B$,:F1i!#(B 1918$BG/(B12$B7n(B12$BF|$H(B13$BF|(B, Josef Stransky $B$,%U%#%k%O!<%b%K%/6(2q$N%3%s%5!<%H$G%K%e!<%h!<%/$G:F1i!#(B 1921$BG/(B8$B7n(B, Henry Wood $B$,:F1i!#(B 1932$BG/(B2$B7n(B25$BF|(B, Hamilton Harty $B$N;X4x$G%i%8%*J|Aw(B(Hallé Orch)$B!#(B

  23. Lyse Naetter (orchestral) ($B2F$NLk(B)
    RT
    RT 06/09?
    compose
    1891
    first performance
    memo
    Holger Drachman $B$K$h$k(B?
    $B8r6A;m$N%9%1%C%A!#F1$8;~4|$K(B, $BF1%?%$%H%k$N2N6J!X2F$NLk!Y$,B8:_$9$k$,(B, $BAG:`$K4XO"@-$O$J$$!#(B
    $B!X;0$D$N>.2;;m(B (3 Small Tone Poems) $B!Y(B (RT VI/7) $B$NBh(B1$B6J(B Summer Evening ($B2F$NM<$Y(B) $B$H$N4X78$OITL@!#(B

  24. Légende ($B%t%!%$%*%j%s$H4I893Z$N$?$a$N!XEA@b6J!Y(B)
    RT
    RT 07/03
    compose
    1895
    first performance
    memo
    1892$BG/(B, $B%t%!%$%*%j%s$H%T%"%N$N$?$a$N!#(B
    1895$BG/(B, $B%t%!%$%*%j%s$H4I893Z$N$?$a$N!#2~:n!#(B
    $B;01:=_;K$N%i%$%J!e(B DMS-9 $B$h$j!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B:n6J$O(B 1893$BG/!#%?%$%H%k$b!X(BLegend$B!Y!#(B
    $BBh(B3$B3Z>O$OAp9F$K(B Elegie $B$H5-$5$l$F$"$C$?!#(B
    1908$BG/(B1$B7n(B11$BF|(B, Philharmonic Hall, Liverpool, Beecham $B$N;X4x$G:F1i(B, $BFHAU$O$J$s$H!*%(%k%^%s(B (Mischa Elman) $B!#(B

  25. Légendes (Sagen) ($B%T%"%N$H4I893Z$N$?$a$N!XEA@b6J!Y(B)
    RT
    RT 07/02
    compose
    1890 inc.
    first performance
    memo
    $B%T%"%N$H4I893Z$N$?$a$N!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K5-:\$J$7!#(B
    $BAp9F$N$^$^(B, $BL$40!#(B

  26. Marche Française ($B%U%i%s%99T?J6J(B)
    RT
    RT 06/06(b)
    compose
    1890
    first performance
    memo
    $BL$40!#(B

  27. North Country Sketches ($BKL9q$N%9%1%C%A(B)
    RT
    RT 06/20
    compose
    1913 - 1914
    first performance
    May 10, 1915, LSO, cond. Beecham, Queen's Hall
    memo
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $BFbMF$O(B
    1. Autumn--the wind soughts in the trees ($B=)!]!]Iw$,>?$rEO$k(B)
    2. Winter Landscape ($BE_$NIw7J(B)
    3. Dance ($BMY$j(B)
    4. The March of spring--Woodlands Meadows and silent moors$B!J=U$N$*$H$:$l(B -- $B?9$HKR>l$H@E$+$J9SCO(B)
    1913$BG/Ce 1914$BG/(B11$B7n(B24$BF|(B, $B%S!<%A%c%`$N;X4x$G(B, New York $B$N%U%#%k%O!<%b%K%/!&%3%s%5!<%H$G(B, $B!X;T$NIqF'!Y(B ($B!XB<$N%m%_%*$H%8%e%j%(%C%H(B(A Village Romeo and Juliet)$B!YBh(B5$B>l(B) $B$H!X3Z1`$X$NF;(B (The Walk to the Paradise Garden)$B!Y$H$H$b$K(B, 3.$B$r1iAU!#(B 1924$BG/(B4$B7n(B30$BF|(B, $B%K%e!<%h!<%/(B, $B%+!<%M%.!O$N$_!#$I$l$+$OITL@(B)$B!#(B

  28. Norwegian Bridal Procession, Orchestration ($B%N!<%k%&%'%$$N2V2G$N9TNs$N4I893ZJT6J(B)
    RT
    RT 10(i)2
    compose
    1889
    first performance
    memo
    $B%0%j!<%0$N:nIJ$N4I893ZJT6J!#(B
    $B866J$O(B 1872$BG/:n6J$N!XL1B/@83h$N>p7J!Y:nIJ(B 19$B$N#26JL\(B, $B!V2V2G$N9TNs$NDL2a!W$+!#?{Ln9@OB$N%0%j!<%0EA(B($B2;3ZG7M'

  29. Norwegian Suite ($B%N!<%k%&%'%$AH6J(B)
    RT
    compose
    1897
    first performance
    memo
    $B866J$O%X%$%Y%k%$$N!X?ML15D2q(B (Foldkeraadet) $B!Y$X$NIU?o2;3Z(B (RT I/5) $B!#(B
    $B=x6J(B, $BBh(B2$BKk$X$NA0AU6J(B, $BBh(B3$BKk$X$NA0AU6J(B, $BBh(B5$BKk$X$NA0AU6J(B, $B%a%m%I%i%^$N2;3Z$N(B 5 $B6J!#AH6J$K;EN)$F>e$2$?$N$,$$$D:"$+$OITL@!#(B 1901$BG/(B, $B!X%Q%j(B (Paris: The Song of a Great City) $B!Y$NBe$o$j$K1iAU$5$l$?LOMM(B($B%"%$%<%J%O$+$i%$%'%k%+$K08$F$?>N$,=P$F$/$k$N$O(B, 1907$BG/$N%S!<%A%c%`$N

  30. Nuit en Florida, or Rhapsody Floridienne ($B%U%m%j%@$NLk(B)
    RT
    compose
    1888
    first performance
    memo
    DT reference TB/10/1
    $B:G6a(B ($B$H8@$C$F$b(B1988$BG/:"$NOC(B)$BH/8+$5$l$?Ap9F$NCGJR!#(B1889$BG/$N(B La Quadroone (RT VI/6(a)) $B!X4I893Z$N$?$a$N#3$D$N@-3JE*$J>.IJ(B (Suite de 3 Morceaux Caractéristiques pour orchestra) $B!YBh(B 1 $B6J$H$O4XO"$,$J$$!#(B

  31. Over the Hills and Far Away ($B88A[=x6J!X5V$r1[$($FMZ$+$K!Y(B)
    RT
    RT 06/11
    compose
    1895 - 1897
    first performance
    Nov 13, 1897, cond. Hans Haym, Elberfeld
    memo
    fantasy overture
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B=i1i$O(B 1897 $BG/%(%k%P!<%U%'%k%H!#FbMF$O(B, $B:n6J]$r$D$E$C$?!#$H$"$k!#%8%c%s%k$b8r6A;m(B (Tone-poem) $B!#(B
    1893$BG/Ce 1899$BG/(B5$B7n(B30$BF|(B, London, St. Jame's Hall $B$G(B A. Hertz $B$,:F1i!#(B

  32. Paa Vidderne ($BD:$K$F(B)
    RT
    RT 03/01
    compose
    Jun - Oct 1888
    first performance
    memo
    reciter orch
    Ibsen $B$K$h$k%a%m%I%i%^!#(B
    $B8l$j $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K5-:\$J$7!#(B
    $BMbG/$N8r6A;m!XD:$K$F(B (Paa Vidderne (Sur les cimes)) $B!Y$H$OJLJ*$+!)(B

  33. Paa Vidderne (Sur les cimes) ($B8r6A;m!XD:$K$F!Y(B)
    RT
    RT 06/10
    compose
    1890 - 1892
    first performance
    Oct 10, 1891, Christiania Musical Society, cond. Iver Holter
    memo
    symphonic poem
    Ibsen
    symhonic poem
    $B%$%W%;%s$N;m$K$h$k!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B:n6J$O(B 1890$BG/(B, $B2~D{$,(B 1892$BG/!#=i1i$O(B 1891$BG/%*%9%m!#(B H. $B%$%W%;%s$N;m$K$h$k!#(B 1888$BG/$N%a%m%I%i%^HG!XD:$K$F(B (Paa Vidderne) $B!Y$H$OJLJ*$+!#(B 1891,92$BG/2~D{!#(B 1892$BG/40@.!#(B
    1894$BG/(B2$B7n(B25$BF|(B, $B%b%s%F%+%k%m$NBh(B7$B2s(B international concert $B$G:F1i!#(B

  34. Paris: The Song of a Great City ($B%Q%j(B, $BBgET2q$N2N(B)
    RT
    RT 06/14
    compose
    1899
    first performance
    Dec 14, 1901, cond. Hans Haym, Elberfeld
    memo
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B:n6J$O(B 1898$BG/!#LkA[6J(B (Nocturne) $B$N%5%V%?%$%H%k$,$"$k!#(B
    $B2;3ZG7M'6J2r@bA4=8!Y!J;01:=_;K2r@b!K$K$h$l$P(B, 1909 $BG/$K86HG8"$r Carley $B=q4J=8!#(B
    1899$BG/(B10$B7nCeM@44;v$O%=%i%N!&%0%m%&%t$G7v2^JL$l$7$?(B Charles Stuart Douglas $B$N1y(B (eith Douglas) $B$NBh(B 1 $BCFO?2;$H$7$F(B, $B%S!<%A%c%`$,(B Queen's Hall $B$G(B LPO $B$r?6$C$F(B, 1934$BG/(B4$B7n(B8$BF|(B, 9$BF|(B, 21$BF|(B(22$BF|!)(B)$B$KO?2;!#(B Walter Legge $B$,%W%m%G%e!<%9$7$?(B 3 $BKgAH$N%G%#%9%/$O(B 5$B7n(B21$BF|H/Aw$5$l$?$,(B, $B%U%i%s%9$N@G4X$KN1$aCV$+$l(B, $B;`$N>2$N%G%#!<%j%"%9$K$O4V$K9g$o$J$+$C$?!#0J2<(B, $B%S!<%A%c%`$N%G%#!<%j%"%9EA(B (Frederick Delius (Beecham)) $B$h$j!#(B
    1935$BG/$K@$$K=P$?Bh(B 1 $B=8$O(B, $BB>$K!X%3%"%s%,(B (Koanga) $B!Y$N=*7J(B, $B!X%(%t%'%s%F%#%(!<%k(B (Eventyr (Once Upon a Time)) $B!Y(B, $B!X%O%C%5%s(B (Hassan) $B!Y4VAU6J$H%;%l%J!<%I(B, $B#3$D$N%7%'%j!<$N2N(B (3 Shelley Songs) $B$+$i!X$o$,?4$N=w2&$K!Y(B, $B!X0&$NE/M}!Y$r<}O?!#(B 1939$BG/(B, $BBh(B 2 $B=8(B, $BBh(B 3 $B=8$N(B 2 $BAH$_$,H/I=$5$l$?!#Bh(B 2 $B=8$K$O(B, $B!X3$N.(B (Sea Drift) $B!Y(B, $B!X5V$r1[$($FMZ$+$K(B (Over the Hills and Far Away) $B!Y(B, $B!X2F$NDm1`$K$F(B (In a Summer Garden) $B!Y(B, $B!X%U%'%K%b%"$H%2%k%@(B (Fennimore and Gerda) $B!Y4VAU6J$r<}O?!#Bh(B 3 $B=8$K$O(B, $B!X%"%Q%i%A%"(B (Appalachia) $B!Y(B, $B!X%O%C%5%s(B (Hassan) $B!Y(B($B!X%3%"%s%,(B (Koanga) $B!Y$N4V0c$$!)(B)$B$+$i!X%i!&%+%j%s%@!Y(B($B=*7J!)(B), $B%$%k%a%j%sA0AU6J(B (Irmelin Prelude) $B$,<}O?$5$l$?!#(B

  35. Petite Suite d'Orchestra ($B4I893Z$N$?$a$N>.AH6J(B)
    RT
    RT 06/06
    compose
    1889 - 1890
    first performance
    Nev 18, 1946, March caprice, RPO, cond. Beecham, Westminster, Central Hall
    memo
    including revised "quot;March caprice"quot;
    $B%^%k%7%e!&%+%W%j!<%9$N2~D{HG4^$`!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K5-:\$J$7!#(B

  36. Piano Concerto ($B%T%"%N6(AU6J(B)
    RT
    RT 07/04
    compose
    1897
    first performance
    Nov 24, 1904, J.Buths, cond. H.Haym, Elberfeld (3$B3Z>OHG(B)
    Oct 22, 1907, T. Szántó Queen's Hall Orch, cond. Wood, Queen's Hall
    memo
    $B%OC;D4!#(B3$B3Z>O!#(B
    1897$BG/=U%U%m%j%@$GCe 1906$BG/(B1$B3Z>OHG$K2~:n!#(B1907$BG/(B1$B7n(B2$B7n2~:n!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B%(%k%P!<%U%'%k%H=i1i$O5-:\$J$7!#(B
    1904$BG/(B11$B7n(B24$BF|(B, Haym, Elberfeld $B$G!X@8L?$NMY$j(B (Lebenstanz) $B!Y(B, $B!X%Q%j(B (Paris: The Song of a Great City) $B!Y$H$H$b$K:F1i!#(B 1913$BG/(B3$B7n(B18$BF|(B, Henry Wood $B$,%W%m%`%J!<%I!&%3%s%5!<%H$G:F1i!#FHAU$O8fB8CN(B, Theodor Szántó $B$G!XBg@.8y(B(Henry Wood)$B!Y!#$3$l$r(B Parcy Grainger $B$,D0$$$F$$$?!#(B 1914$BG/(B4$B7n(B16$BF|$N(B Torquay Festival $B$G$O(B Parcy Grainger $B<+?H$,%T%"%NFHAU$r

  37. A Poem of Life and Love ($B@8L?$H0&$N;m(B)
    RT
    RT 06/25
    compose
    1918
    first performance
    memo
    inc. lost.
    $B;60o!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B:n6J$O(B 1918$B$+$i(B19$BG/!#L$=PHG(B, $B;60oEy$N5-:\$J$7!#(B
    Carley $B=q4J=8$K$h$l$P(B, 1918$BG/(B3$B7n$KCeJ,$r$J$/$7$?$i$7$$!#(B 1928$BG/(B, Balfour Gadiner $B$N%T%"%NO"CFMQJT6J$r40@.$5$;$?$N$,(B, Eric Fenby $B$N=i;E;v!#$=$N8e(B, 1929$BG/!A(B1930$BG/$K$+$1$F2~D{$5$l(B, $B!X2F$N2N(B (A Song of Summer) $B!Y$H$J$C$F@8$^$lJQ$o$k!#(B

  38. Rhapsodic Variation ($B68;mE*JQAU6J(B)
    RT
    RT 06/03
    compose
    1888
    first performance
    memo
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K5-:\$J$7!#(B
    1888$BG/(B9$B7n!#L$40!#(B (Carley$B=q4J=8(B)

  39. Rhapsody for Piano and Orchestra ($B%T%"%N$H4I893Z$N$?$a$N68;m6J(B)
    RT
    RT 07/04(a)
    compose
    1900s?
    first performance
    memo
    $BAp9F$N$^$^L$40!#(B 1900$BG/Be=iF,!)(B

  40. La ronde se déroule ($B7+$j9-$2$k%m%s%I(B)
    RT
    RT 06/13
    compose
    1898
    first performance
    May 30, 1899, cond. Hertz, St. James Hall
    Feb 1904, Life's Dance $B$H$7$F(B,cond. Buths, Düsseldolf
    1912$BG/2~D{HG(B, cond. O. Fried, Berlin
    memo
    symphonic poem
    Helge Rode $B$N7`(B Dansen gaar (The Dance Goes On) $B$K%$%s%9%Q%$%"$5$l$k!#(B
    1898$BG/Ce 1912$BG/2~D{!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K5-:\$J$7!#(B

  41. Small piece ($B>.IJ(B)
    RT
    RT 10(i)3
    compose
    Aug 1889
    first performance
    memo
    $B%0%j!<%0(B, $B%7%s%G%#%s%0$H$N9g:n!#(B Jotunheim $B$G:n6J!#(B

  42. A Song before Sunrise ($BLkL@$1A0$N2N(B)
    RT
    RT 06/24
    compose
    1918
    first performance
    memo
    A small orch
    $B>.4I893Z$N$?$a$N!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $B%?%$%H%k$O!XF|$N=PA0$N2N!Y!#(B
    Carley $B=q4J=8$K$h$l$P(B, 1918$BG/(B6$B7nKv$K$O40@.!#(B

  43. A Song of Summer ($B2F$N2N(B)
    RT
    RT 06/26
    compose
    1929 - 1930
    first performance
    Sep 17, 1931, BBC SO, cond Wood, Queen's Hall, Promenade Concert
    memo
    [from A Poem of Life and Love]
    $B$4B8CN!X@8L?$H0&$N;m(B (A Poem of Life and Love) $B!Y$N2~D{HG!#%1%s!&%i%C%;%k$NL>:n(B "Song of Summer" $B$N%/%i%$%^%C%/%9$r7A:n$k:nIJ$G$b$"$k!#(B
    $B0f>eOBCKJTCx!X%/%i%7%C%/2;3Z:nIJL><-E5!Y;0>JF24)$K$h$l$P(B, $BFbMF!V!X@8L?$H0&$N;m(B (A Poem of Life and Love) $B!Y$rAG:`$KMQ$$$?!#<:L@8e(B E. $B%U%'%s%S!<$,8}=RI.5-!#(B
    1932$BG/(B9$B7n(B17$BF|(B, Henry Wood $B$,(B BBCSO $B$r?6$C$F:F1i(B (Queen's Hall) $B!#(B

  44. Suite de 3 Morceaux Caractéristiques pour orchestra ($B4I893Z$N$?$a$N#3$D$N@-3JE*$J>.IJ(B)
    RT
    RT 06/06(a)
    compose
    1889
    first performance
    memo
    1889$BG/(B5$B7n$KCe 2$B6JL\$O(B Skerzo, 3$B6JL\$O(B Marche Caprice $B$G(B, $B$3$N(B 2 $B6J$K$O(B 1900 $BG/$NF|IU$,$"$k!#(B

  45. Suite for violin and orchestra ($B%t%!%$%*%j%s$H4I893Z$N$?$a$NAH6J(B)
    RT
    RT 07/01
    compose
    1888
    first performance
    memo
    vln orch.
    incl. Pastorale
    $B;01:=_;K$N%i%$%J!8!#(B
    $B9=@.$O(B
    1. Pastorale (Andante quasi allegretto) ($B%0%j!<%0$N1F6A$rIntermezzo$B!J(BAllegro molto vivace) ($B>oF06JIw$N2;7?$K4p$E$/Iq6J(B)
    2. Elegie$B!J(BAdagio cantabile) ($B8]F0$9$k893Z$NOB2;$K$h$C$FHFinale$B!J(BAllegro moderato) ($B%0%j!<%0$H$$$&$h$j$O%a%s%G%k%9%>!<%sIw$J2ZNo$J=*6J(B)
    $B0J>e(BDMS-9$B$h$j!#(B
    1888$BG/2F!)(B (Carley$B=q4J=8(B)

  46. Violin concerto ($B%t%!%$%*%j%s6(AU6J(B)
    RT
    RT 07/06
    compose
    1916
    first performance
    Jan 30, 1919, Sammonds, cond. Boult, Queen's Hall
    memo
    Carley$B=q4J=8$K$h$l$P(B, $B:n6J$O(B 1915$BG/!#(B Albert Sammonds $B$K8%Dh!#(B 1919$BG/(B12$B7n(B18$BF|(B, Albert Sammonds $B$N%=%m(B, Hamilton Harty $B$N;X4x$G:F1i(B(Hallé Orch)$B!#(B 1928$BG/(B1$B7n(B6$BF|(B, Albert Sammonds $B$N%=%m(B, $B%P%k%S%m!<%j$N;X4x$G:F1i!#(B BBC$B$N%i%8%*J|Aw$+!#(B 1931$BG/(B9$B7n(B17$BF|(B, Orrea Pernel $B$N%=%m$G%i%8%*J|Aw$+!#(B Bronislaw Hubermann $B$,(B, $B%W%i%O(B, $B%&%#!<%s$G:F1i!#(B
    $B;01:=_;K$N%i%$%J!O7A<0!#(B
    1914$BG/(B8$B7nKv(B, $B@oMp$rHr$1$k$?$a$K%m%s%I%s$XEO$C$?@^$j(B, $B%a%$(B (vln) &$B%S%"%H%j%9(B (vlc) $B!&%O%j%9%s;PKe$N1iAU$rD0$$$F46LC$r $B!V$[$H$s$IES@Z$l$k$3$H$N$J$$%i%W%=%G%#%C%/$J@{N'$NN.$l$H$7$F
  47. $BCfMG$N%F%s%]$G(B ($B%=%J%?Ds<(It(B) 93 $B>.@a!#(B
  48. $B4K$d$+$K(B ($B4K=y3Z>O!aE83+It(B) 73 $B>.@a!#(B
  49. $BH.@a!#(B
  50. $B%F%s%](B I ($B%=%J%?:F8=It(B) 61$B>.@a!#(B
  51. $B%"%l%0%l%C%H(B ($B%9%1%k%D%)!?%U%#%J!<%l"*KAF,#1$N(Bvln$B.@a!#(B
$B99$K>\:Y$J%"%J%j!<%<$O!X%_%e!<%8%+%k!&%?%$%`%:!Y;o(B 1962$BG/(B6&7 $B3F9f;2>H!#$3$NO@9M$O%/%j%9%H%U%!!e(BDMS-9$B$h$j!#(B

  • The Walk to the Paradise Garden ($B3Z1`$X$NF;(B)
    RT
    compose
    1910
    first performance
    memo
    $B4VAU6J!X3Z1`$X$NF;!Y(B
    $B;01:=_;K$N%i%$%J!l$N%*%Z%i!XB<$N%m%_%*$H%8%e%j%(%C%H(B (A Village Romeo and Juliet) $B!Y$N4VAU6J(B (5$B>l$H(B6$B>l$N4V(B) $B$O(B 1910$BG/%$%.%j%9=i1i$K:]$7$F%S!<%A%c%`$NMW@A$G=q$-2C$($i$l$?!#4VAU6J!X3Z1`$X$NF;!Y$N:n6J$O(B, $B?dDj(B 1914-15$BG/$4$m!#C1FH=i1i$O%S!<%A%c%`$@$m$&$,(B, $B;~4|$OITL@!#(B 1911$BG/(B6$B7n(B16$BF|(B, $B%S!<%A%c%`l(B) $B$H!X3Z1`$X$NF;!Y$r:F1i!#(B 1914$BG/(B12$B7n(B3$BF|(B, $B%S!<%A%c%`$N;X4x$G(B Manchester $B$N(BHallé $B%3%s%5!<%H$G:F1i!#$3$ND>8e(B Samuel Langford $B$,(B Beatrice and May $B$N%O%j%9%s;PKe$r%G%#!<%j%"%9$K>R2p!#%G%#!<%j%"%9$OFs=E6(AU6J(B (Double Concerto)$B!!$r=q$/$3$H$rLsB+$7$?!#(B Geoffrey Toye $B$N;X4x(B, New Symphony Orch $B$NO?2;$"$j!#(B 1928$BG/(B1$B7n(B12$BF|!A(B30$BF|$N%"%a%j%+!&%D%"!<$G%S!<%A%c%`$,:F1i!#%K%e!<%h!<%/(B, $B%\%9%H%s(B, $B%\%k%A%b%"!#(B 1929$BG/(B2$B7n(B8$BF|(B, $B%S!<%A%c%`;X4x$N%i%8%*J|Aw!#(B 1934$BG/(B3$B7n(B1$BF|(B, $B%S!<%A%c%`$N(B All Delius $B%3%s%5!<%H$G(B, $B%^%s%A%'%9%?!<$G:F1i(B (Hallé orch) $B!#%i%8%*J|Aw!#(B


    NISHIHARA Satoshi, < mail me >
    Created: Jul 7, 1996